1 00:00:09,750 --> 00:00:07,909 hey everybody this is beck and i'm a 2 00:00:12,870 --> 00:00:09,760 maker of music 3 00:00:14,470 --> 00:00:12,880 and like the great sun raw said space is 4 00:00:16,710 --> 00:00:14,480 the place 5 00:00:19,990 --> 00:00:16,720 and i'm farah i work at nasa and i use 6 00:00:21,590 --> 00:00:20,000 ai to explore mars and i brought a few 7 00:00:23,590 --> 00:00:21,600 friends along who knows something about 8 00:00:24,870 --> 00:00:23,600 artificial intelligence 9 00:00:26,550 --> 00:00:24,880 hi i'm joan 10 00:00:28,470 --> 00:00:26,560 hi i'm isabel 11 00:00:31,349 --> 00:00:28,480 we are both artists working with nasa 12 00:00:33,750 --> 00:00:31,359 using artificial intelligence 13 00:00:35,610 --> 00:00:33,760 this is 14 00:00:56,150 --> 00:00:35,620 ask nasa 15 00:01:00,790 --> 00:00:57,990 yeah so back you just released a set of 16 00:01:02,950 --> 00:01:00,800 new music videos uh using a lot of nasa 17 00:01:04,549 --> 00:01:02,960 imagery and i grew up living space and 18 00:01:07,429 --> 00:01:04,559 obviously those images are used by 19 00:01:09,990 --> 00:01:07,439 scientists what inspires you about space 20 00:01:12,070 --> 00:01:10,000 and how you came up with this idea well 21 00:01:14,149 --> 00:01:12,080 the title of the record came from a 22 00:01:16,550 --> 00:01:14,159 video game a really primitive video game 23 00:01:18,149 --> 00:01:16,560 from the 80s called asteroids 24 00:01:20,070 --> 00:01:18,159 when the asteroids were going to kill 25 00:01:21,350 --> 00:01:20,080 you and they would 26 00:01:23,030 --> 00:01:21,360 they were just about to collide with 27 00:01:25,749 --> 00:01:23,040 your spaceship that you would hit this 28 00:01:28,390 --> 00:01:25,759 button and it would make you disappear 29 00:01:30,630 --> 00:01:28,400 and reappear somewhere else in in the 30 00:01:32,069 --> 00:01:30,640 galaxy 31 00:01:33,510 --> 00:01:32,079 and i always wondered what that button 32 00:01:35,350 --> 00:01:33,520 was called and i looked it up one day 33 00:01:37,270 --> 00:01:35,360 and it was called hyperspace 34 00:01:40,230 --> 00:01:37,280 so i i sort of 35 00:01:42,149 --> 00:01:40,240 got my mind thinking into music and song 36 00:01:44,710 --> 00:01:42,159 ideas because i think in some way i 37 00:01:45,910 --> 00:01:44,720 think of music as sort of a hyper space 38 00:01:47,990 --> 00:01:45,920 button 39 00:01:49,990 --> 00:01:48,000 you know it's something that we 40 00:01:51,830 --> 00:01:50,000 you know we press play on a piece of 41 00:01:54,230 --> 00:01:51,840 music and it takes us somewhere out of 42 00:01:55,270 --> 00:01:54,240 our lives out of our circumstances but i 43 00:01:57,749 --> 00:01:55,280 did like 44 00:02:00,950 --> 00:01:57,759 the feeling of the music 45 00:02:03,990 --> 00:02:00,960 that there was this sort of thread of 46 00:02:04,950 --> 00:02:04,000 outer space kind of um 47 00:02:07,510 --> 00:02:04,960 wide 48 00:02:10,070 --> 00:02:07,520 vista of space and time you know 49 00:02:12,790 --> 00:02:10,080 existing in the songs 50 00:02:14,470 --> 00:02:12,800 artificial intelligence is the ability 51 00:02:17,350 --> 00:02:14,480 for machines or computers to make 52 00:02:19,589 --> 00:02:17,360 autonomous and intelligent decisions 53 00:02:22,550 --> 00:02:19,599 that can look like recognizing patterns 54 00:02:25,030 --> 00:02:22,560 or analyzing images or learning certain 55 00:02:26,550 --> 00:02:25,040 behaviors and then mimicking them 56 00:02:28,949 --> 00:02:26,560 i mean right away when we heard 57 00:02:31,430 --> 00:02:28,959 hyperspace we thought we have to use ai 58 00:02:33,509 --> 00:02:31,440 for this vec was already creating a 59 00:02:36,070 --> 00:02:33,519 sonic environment that went to like the 60 00:02:37,830 --> 00:02:36,080 edges of our our understanding and the 61 00:02:39,509 --> 00:02:37,840 way that we see and that's something 62 00:02:41,030 --> 00:02:39,519 that we're most excited about working 63 00:02:43,750 --> 00:02:41,040 with ai with but it 64 00:02:46,309 --> 00:02:43,760 expands our our modes of thinking and 65 00:02:49,110 --> 00:02:46,319 then just the title hyperspace literally 66 00:02:50,790 --> 00:02:49,120 means to go beyond three dimensions the 67 00:02:52,790 --> 00:02:50,800 one that we use for this particular 68 00:02:56,309 --> 00:02:52,800 project it literally 69 00:02:58,390 --> 00:02:56,319 works in a 512 dimensional space 70 00:03:00,550 --> 00:02:58,400 in order the the process begins with the 71 00:03:02,550 --> 00:03:00,560 ai training on the images so if we 72 00:03:04,550 --> 00:03:02,560 showed it just a few hundred it wouldn't 73 00:03:07,750 --> 00:03:04,560 know that much but what was so great 74 00:03:10,390 --> 00:03:07,760 about working with nasa's decade deep 75 00:03:12,949 --> 00:03:10,400 you know archive of knowledge is that it 76 00:03:15,830 --> 00:03:12,959 could really learn so for weeks and 77 00:03:17,589 --> 00:03:15,840 weeks the ai trained on as many images 78 00:03:20,309 --> 00:03:17,599 as we could show it i think in the end 79 00:03:22,149 --> 00:03:20,319 it looked at over 25 million images 80 00:03:23,910 --> 00:03:22,159 sometimes that was multiple times 81 00:03:25,670 --> 00:03:23,920 looking at the same images to try and 82 00:03:28,149 --> 00:03:25,680 understand these images 83 00:03:30,309 --> 00:03:28,159 yeah basically imagery of anything in 84 00:03:33,030 --> 00:03:30,319 our solar system is how we get started 85 00:03:35,030 --> 00:03:33,040 in the process of exploration right and 86 00:03:37,350 --> 00:03:35,040 so when we first went to mars or when we 87 00:03:39,270 --> 00:03:37,360 sent cassini to saturn 88 00:03:40,949 --> 00:03:39,280 we had some thoughts about what we might 89 00:03:43,670 --> 00:03:40,959 find based on that imagery and that's 90 00:03:45,670 --> 00:03:43,680 what allows us to really focus down on 91 00:03:47,830 --> 00:03:45,680 the type of science we're going to do i 92 00:03:49,910 --> 00:03:47,840 worked a lot on the database creation 93 00:03:51,430 --> 00:03:49,920 and i feel almost like i could draw a 94 00:03:54,070 --> 00:03:51,440 picture of 95 00:03:55,910 --> 00:03:54,080 the galaxy now just from going like 96 00:03:56,869 --> 00:03:55,920 anyone can do just by working with the 97 00:03:58,630 --> 00:03:56,879 nasa 98 00:04:00,949 --> 00:03:58,640 websites and going through the archives 99 00:04:02,550 --> 00:04:00,959 like the ai was then able to take that 100 00:04:05,350 --> 00:04:02,560 and 101 00:04:06,630 --> 00:04:05,360 recognize uh colors that were happening 102 00:04:08,630 --> 00:04:06,640 a lot recognize shapes that were 103 00:04:10,149 --> 00:04:08,640 happening a lot i remember when it first 104 00:04:10,949 --> 00:04:10,159 showed us what it thought saturn looked 105 00:04:12,470 --> 00:04:10,959 like 106 00:04:14,949 --> 00:04:12,480 i was blown away 107 00:04:17,509 --> 00:04:14,959 yeah and even then seeing these images 108 00:04:19,430 --> 00:04:17,519 and getting all the info it's it's it is 109 00:04:21,189 --> 00:04:19,440 overwhelming isn't it i mean we're 110 00:04:23,189 --> 00:04:21,199 talking about other worlds we're talking 111 00:04:24,710 --> 00:04:23,199 about other realities we probably won't 112 00:04:26,870 --> 00:04:24,720 ever get to 113 00:04:28,629 --> 00:04:26,880 experience in our lifetimes this is the 114 00:04:31,909 --> 00:04:28,639 closest we'll come 115 00:04:33,350 --> 00:04:31,919 to uh touching the unknown this project 116 00:04:36,070 --> 00:04:33,360 is so 117 00:04:38,310 --> 00:04:36,080 interesting because it really came out 118 00:04:40,390 --> 00:04:38,320 of the theme of the record 119 00:04:42,950 --> 00:04:40,400 i would have loved the idea of taking 120 00:04:45,110 --> 00:04:42,960 sounds from these missions in space and 121 00:04:47,590 --> 00:04:45,120 putting them into the music itself the 122 00:04:48,950 --> 00:04:47,600 coolest thing that we have coming up um 123 00:04:50,950 --> 00:04:48,960 you know which we can point you to when 124 00:04:52,710 --> 00:04:50,960 it comes out is that perseverance 125 00:04:54,790 --> 00:04:52,720 actually has two microphones on board 126 00:04:57,350 --> 00:04:54,800 it's the first time we'll have real 127 00:04:59,430 --> 00:04:57,360 audio from mars so we'll have audio as 128 00:05:01,430 --> 00:04:59,440 well landing on the planet so that 129 00:05:03,590 --> 00:05:01,440 during entry descent and landing and 130 00:05:05,749 --> 00:05:03,600 then we'll have audio when we're driving 131 00:05:07,270 --> 00:05:05,759 or um the rover has a laser and so 132 00:05:09,590 --> 00:05:07,280 you'll be able to actually hear that 133 00:05:11,510 --> 00:05:09,600 laser zap on another planet which is 134 00:05:13,350 --> 00:05:11,520 kind of something that's kind of hard to 135 00:05:15,430 --> 00:05:13,360 even wrap your mind around 136 00:05:17,430 --> 00:05:15,440 and that hasn't been recorded before no 137 00:05:18,870 --> 00:05:17,440 not with the microphone not this way 138 00:05:21,590 --> 00:05:18,880 we've never had a microphone on the 139 00:05:23,350 --> 00:05:21,600 rover okay well 140 00:05:25,990 --> 00:05:23,360 send those audio files my way when you 141 00:05:28,390 --> 00:05:26,000 get them absolutely 142 00:05:30,310 --> 00:05:28,400 so on perseverance we actually have an 143 00:05:32,469 --> 00:05:30,320 extra computer and so that extra 144 00:05:35,270 --> 00:05:32,479 computer allows us to make the rover 145 00:05:39,590 --> 00:05:35,280 smarter and we actually self-drive on 146 00:05:41,909 --> 00:05:39,600 mars so the rover has to take imagery of 147 00:05:44,629 --> 00:05:41,919 the area in front of it literally build 148 00:05:47,350 --> 00:05:44,639 its own map it can then identify 149 00:05:49,590 --> 00:05:47,360 different types of obstacles and slopes 150 00:05:52,070 --> 00:05:49,600 and based on that and its knowledge of 151 00:05:55,110 --> 00:05:52,080 where it's able to drive it decides on 152 00:05:59,909 --> 00:05:57,749 the mars database was in one of the 153 00:06:02,309 --> 00:05:59,919 easiest ones because it's where we have 154 00:06:04,629 --> 00:06:02,319 the most high resolution imagery it's 155 00:06:06,710 --> 00:06:04,639 been so well captured from so many 156 00:06:09,350 --> 00:06:06,720 different points of view we've seen the 157 00:06:11,510 --> 00:06:09,360 soil on a terrestrial level and then we 158 00:06:12,390 --> 00:06:11,520 also have imaging of mars firms from 159 00:06:14,790 --> 00:06:12,400 above 160 00:06:15,590 --> 00:06:14,800 and looking through this this data set 161 00:06:21,110 --> 00:06:15,600 of 162 00:06:23,909 --> 00:06:21,120 once we train the ai on that it was able 163 00:06:26,309 --> 00:06:23,919 to kind of produce such 164 00:06:29,029 --> 00:06:26,319 vivid strange 165 00:06:32,710 --> 00:06:29,039 imagery because mars itself i think is 166 00:06:36,540 --> 00:06:32,720 so much more complex and so much more 167 00:06:38,230 --> 00:06:36,550 deep and varied than we imagined it is 168 00:06:40,790 --> 00:06:38,240 [Music] 169 00:06:42,870 --> 00:06:40,800 okay so one more cool feature about the 170 00:06:44,870 --> 00:06:42,880 perseverance rover is that it can also 171 00:06:46,629 --> 00:06:44,880 act as a scientist 172 00:06:48,710 --> 00:06:46,639 the rover can look at the environment 173 00:06:50,550 --> 00:06:48,720 around it look at all the rocks and say 174 00:06:51,430 --> 00:06:50,560 hey this rock over there looks really 175 00:06:54,150 --> 00:06:51,440 cool 176 00:06:56,070 --> 00:06:54,160 let me image it use my laser to zap it 177 00:06:57,589 --> 00:06:56,080 and figure out what's under that surface 178 00:06:59,670 --> 00:06:57,599 send all of that data back to the 179 00:07:01,110 --> 00:06:59,680 scientists so it allows us to 180 00:07:03,510 --> 00:07:01,120 essentially have 181 00:07:05,189 --> 00:07:03,520 scientists on mars making decisions 182 00:07:06,790 --> 00:07:05,199 without having humans in the loop here 183 00:07:09,189 --> 00:07:06,800 on the ground 184 00:07:11,110 --> 00:07:09,199 i think to me the idea of space is a bit 185 00:07:13,990 --> 00:07:11,120 overwhelming and 186 00:07:15,909 --> 00:07:14,000 awe inspiring just the idea of listening 187 00:07:17,990 --> 00:07:15,919 to a piece of music and we go somewhere 188 00:07:20,950 --> 00:07:18,000 else our lives change you know it's a 189 00:07:23,830 --> 00:07:20,960 mirror to this other idea of space and 190 00:07:25,830 --> 00:07:23,840 space exploration and letting the 191 00:07:28,700 --> 00:07:25,840 imagery of these other worlds these 192 00:07:36,550 --> 00:07:28,710 unknown places with this music i think 193 00:07:43,350 --> 00:07:39,990 you know i feel uh really fortunate to 194 00:07:45,270 --> 00:07:43,360 to have you all open your doors to to me 195 00:07:47,270 --> 00:07:45,280 and my music and 196 00:07:51,990 --> 00:07:47,280 for us to go somewhere with it that was 197 00:07:52,000 --> 00:07:56,390 here let me get my video up 198 00:07:56,400 --> 00:08:00,700 we'll get it 199 00:08:00,710 --> 00:08:10,950 [Music] 200 00:08:15,189 --> 00:08:13,749 this is ask nasa 201 00:08:18,150 --> 00:08:15,199 i mean that would be the show turned 202 00:08:20,309 --> 00:08:18,160 away there's all kinds of guitars um 203 00:08:22,469 --> 00:08:20,319 this guitar is actually 204 00:08:25,430 --> 00:08:22,479 from 1901 205 00:08:27,909 --> 00:08:25,440 and it has these ivory pegs all right so 206 00:08:30,230 --> 00:08:27,919 these are some vintage keyboards and 207 00:08:34,310 --> 00:08:30,240 this is the 808 which is responsible for 208 00:08:36,790 --> 00:08:34,320 the sound of all trap music is the moog 209 00:08:38,550 --> 00:08:36,800 and uh this is responsible for most of 210 00:08:41,110 --> 00:08:38,560 the music of the 80s there's a couple of 211 00:08:45,269 --> 00:08:41,120 pedals that i use